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Richard Rosenberg, Artistic Director                  

RICHARD ROSENBERG (Hot Springs Music Festival Artistic Director & Conductor/Producer) <rr@hotmusic.org> is one of a handful of American conductors whose experience ranges from contemporary music to historical performance practice. Under his baton, Mr. Rosenberg's editions of music by the 19th-century Louisiana composers Edmond Dédé, Louis Moreau Gottschalk and Lucién Lambert, as well as music by Jerome Moross, were recently released on five compact discs on the Naxos/Marco Polo label. Scheduled for release in March 2010 is his recording of jazz-inspired concerti including music by George Gershwin, James Price Johnson, Harry Reser and Dana Suesse.

As a guest conductor, Mr. Rosenberg has performed throughout the Americas and Europe. Recent performances with the Internationales Kärntner Wörtersee Musikstipendum–Carinthian Symphony, the Orquesta Sinfónica Municipal de Caracas in Venezuela and the Festival Música nas Montanhas in Brazil, Mr. Rosenberg have led to invitations to return again next season.

With the violist Yizhak Schotten, Mr. Rosenberg recorded a disc of works for viola and chamber orchestra for Crystal Records, and he directed American contemporary music for the Opus One label. Mr. Rosenberg conducted the groundbreaking collaborative concert of an American orchestral ensemble and an ensemble of traditional Japanese instruments, Pro Musica Nipponia, in Detroit's Orchestra Hall. The concert included music written for this cooperative experiment by Minoru Miki, one of Japan's preeminent composers. On two weeks' notice, Mr. Rosenberg led the critically-acclaimed European tour of Arleen Auger and The Classical Band, a New York-based early instrument orchestra. Mr. Rosenberg recently conducted two performances of Gustav Mahler's monumental Symphony No. 3 with the Orchestra Sinfonica della Fondazione "Tito Schipa" di Lecce in Italy, and was invited to return for additional concerts to lead the premiere of Nicola Scardicchio's “Mosè” and music of Dave Brubeck. He has completed residencies at the University of Kansas at Lawrence and Louisiana State University at Baton Rouge, and was just awarded a Yale University School of Music AlumniVentures Grant to support his research into the works of 19th-century American composer and pianist Louis Moreau Gottschalk in Cuba, including recovery and editing of two unpublished, never-performed operas and numerous other works for military band and orchestra, with the final aim of publishing, performing and recording them.

Earlier in his career, Mr. Rosenberg was music director of the Chamber Orchestra of California in San Francisco, the Waterloo/Cedar Falls Symphony Orchestra, the Corpus Christi Symphony Orchestra, the Pennsylvania Ballet and RESONANCE, a New York contemporary music ensemble. He also served on the conducting staffs of the Baltimore Symphony, the Oakland Symphony, the London Classical Players, the Michigan MozartFest and the Aspen Music Festival and as Acting Director of Orchestras at the University of Michigan in Ann Arbor.

Mr. Rosenberg's experience includes study with composers Mario Davidovsky, Krzysztof Penderecki and Carlos Surinach; clarinet with Gervase De Peyer and Georg Hirner; theory with Charles Burkhardt, George Perle, and Carl Schacter; opera staging with Roger Brunyate and Boris Goldovsky; choral conducting with Margaret Hillis, Robert Shaw and Elmer Thomas, and conducting apprenticeships with Eugen Jochum, Friedrich Cerha, Günther Herbig, Julius Herford, Carlos Kleiber, Giuseppe Patané, Wolfgang Sawallisch (Bavarian State Opera), Jerzy Semkow and Leonard Bernstein (New York Philharmonic). He was an active participant in master classes with Pierre Boulez, Aaron Copland, Jussi Jalas, Lorin Maazel, Julius Rudel, Sir Georg Solti and Walter Weller.

In 1988, he was awarded a Rackham Fellowship to work in Europe with Sir Roger Norrington and Nikolaus Harnoncourt. His training also includes studies at Yale University with Otto-Werner Müller, the Peabody Institute-Johns Hopkins University with Frederik Prausnitz, the Mozarteum in Salzburg with Herbert von Karajan, the Aspen Music Festival with Paul Vermel, at the City University of New York with Fritz Jahoda, Cincinnati College-Conservatory with Gerhard Samuel and the Accademia Musicale Chigiana in Siena with Franco Ferrara.

He is an honorary Paul Harris Fellow of the Rotary International Foundation, an honorary National Arts Associate of Sigma Alpha Iota and a member of the National Advisory Board of the Henry Mancini Institute.

Mr. Rosenberg's numerous orchestrations and his corrected editions of J.S. Bach's “Saint Matthew Passion,” George Gershwin's “A Rhapsody in Blue,” Arnold Schönberg's “Verklärte Nacht” and the complete orchestral music of Gottschalk (which he has just prepared for publication) have received numerous performances. In addition to his work as a conductor, Mr. Rosenberg has produced two compact discs of music with jazz legend Dave Brubeck, and two discs of Mozart piano concerti, all for the Naxos Records label.


Shorter biography:

Richard Rosenberg, conductor, is the Artistic Director and Conductor of the Hot Springs Music Festival. Earlier music directorships include the Corpus Christi Symphony, the Chamber Orchestra of California, the Waterloo/Cedar Falls Symphony and the Pennsylvania Ballet. He also served on the conducting staffs of the Baltimore Symphony, the Oakland Symphony, the London Classical Players and the Aspen Music Festival, and as Acting Director of Orchestras at the University of Michigan in Ann Arbor. As a guest conductor, Mr. Rosenberg has performed with the Rochester Philharmonic, the Kennedy Center Opera Orchestra, Miami City Ballet, and symphony orchestras and ballet companies throughout the United States, Europe and South America. His upcoming engagements include concerts with the Kaerntner Symphony Orchestra, The Festival Música nas Montanhas; The Vancouver Island Symphony and the Orquesta Filarmonica de Montevideo. Mr. Rosenberg’s teachers include Leonard Bernstein, Herbert von Karajan and Sir Roger Norrington. He has recorded ten compact discs of American music for the Naxos Records label, and has produced several CDs with jazz legend Dave Brubeck.

- Click here to download more information about Richard Rosenberg

- Letters of Reference

- Learn about the Créole Romantics Project

- Read The November 2006 Revista Sinfonica Article (en Español)

Listen to Recordings by Richard Rosenberg:

Complete Recordings with the Hot Springs Music Festival Orchestra & Chorus:

- Beethoven, Overture to "Egmont" (10.68 MB)

- Beethoven/Mahler, Symphony No. 9, I. Allegro, ma non troppo, un poco maestoso. (15.08 MB)

- Brahms, Symphony No. 2 in D, Allegretto grazioso (quasi andantino) (780KB)

- Dukas, The Sorcerer's Apprentice (12.09 MB)

- Fauré, Pelléas et Mélisande, Sicilienne (5.14 MB)

- Liszt, Les Préludes (2.56 MB)

- Mahler, Symphony no. 1: Scherzo (10.57 MB)

- Mahler, Symphony no. 5: Trauermarsch (1.9MB)

- Tchaikovsky, Festival Overture "The Year 1812" (with Festival Chorus)(24.12 MB)

- Tchaikovsky, Romeo and Juliet, Fantasy-Overture (20.5 MB)

- Verdi, Requiem: Libera Me (with Theresa Santiago and Festival Chorus)(24.89 MB)

Excerpts from the Créole Romantics Project:•

Louis Moreau Gottschalk Symphonie romantique                                
-original version for very large orchestra, after the composer's autograph manuscript, 
edited & completed by Richard Rosenberg 

I. "Noche en los Tropicos" (A Night in the Tropics)

II. "Festa Criolla" (Creole Festival)

- Lucièn Léon Guillaume Lambert fils
Overture to “Brocéliande”
 -
orchestrated by Richard Rosenberg•

- Edmond Dédé
"Chicago, Grande Valse à l'Américaine"



Watch a performance of Étienne Méhul's, Overture to "La Chasse du Jeune Henri" 
performed by the Hot Springs Music Festival Chamber Orchestra, 
conducted by Richard Rosenberg:
                                                                                                                                       

 

 

 




















Richard Rosenberg conducts an excert from
Stravinsky's, "The Rite of Spring"

Watch two Halloween Orchestra Videos:

Richard Rosenberg conducts the overture to Johann Strauss'                               
"Die Fledermaus" while hanging upside down, dressed as a bat:

Richard Rosenberg conducts his arrangement of
"Eine Kleine Nachtmusik on Elm Street"
                                                                                                                                    


 

 

 

 

 

 

 

 

 

"The Festival Symphony's performance, with Festival Music Director Richard Rosenberg on the
 podium, produced a finale that lifted the audience right out of its seats."
 Eric Harrison, quoted in Arkansas Democrat Gazette (June, 2002) 
"The Hot Springs Music Festival in June is a classical music wonder"
- John Villani, quoted in USA Today (April 29, 2005)
"Thanks for all the terrific music from Hot Springs, it's become a big part of our summer festival
coverage on Performance Today."
- Fred Child, host of National Public Radio's  Performance Today (September 26, 2005)
                               
"Bravo, Bravo, Bravo! . . . with admiration",
  John Corigliano (Pulitzer Prize-winning composer of "The Red Violin" - September, 2003)
                               
"If God is a music lover, everybody involved in Sunday night's Hot Springs Music Festival finale is 
going to heaven"
- Eric Harrison, quoted in Arkansas Democrat Gazette (June, 2002)
"I have a great appreciation for the work of Maestro Rosenberg"
- Wolfgang Sawallisch, (November, 2002)
"Richard Rosenberg leads the Hot Springs Music Festival Orchestra 
in a performance whose Festa Criolla rattles the roof"
- Joseph Horowitz, quoted in The New York Times (July 15, 2001)
 

Richard Rosenberg
artistic director

rr@hotmusic.org
501.545.5848
 

~ Compact Discs ~

as conductor

as producer

 

 

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