2012 Repertoire – info for musicians

The 2012 repertoire list is subject to change.

Orchestral Repertoire:

The following orchestral repertoire is tentatively set.

Beethoven: Symphony No. 3 – 2222-3200-T-str (88642)

Debussy: Danses Sacree et Profane – str only (88642)

Fauré: Requiem (Festival Chorus) – 2022-4230-T-hp-org-str (10862)

Hindemith: Symphonic Metamorphosis on Themes of Carl Maria von Weber – *3*3*3*3-4231-T+4-str (all strings)
Original Weber piano duo pieces & Turandot March interspersed

Ives/Schuman: Variations on “America” – **3222-4331-T+3-str (all strings)

Mahler: Symphony No. 1 – ***4*4*++4*3-7431-2T+3-hp-str (all strings)

Martin: Concerto for Seven Winds, Percussion & Strings (mentors as soloists) – 1111-1110-T+3-str (88642)

Mendelssohn: Hebrides Overture (conducted by asst. conductor) – 2222-2200-T-str (88642)

Mozart: Clarinet Concerto (Anthony Taylor) – 2002-2000-str (86642)

Paganini: Caprice No. 24 (solo violin – mentor)

Rachmaninoff: Rhapsody on a Theme of Paganini (piano with orchestra – Michael Gurt) – *3*322-4231-T+4-hp-str (all strings)

Ravel: Le Tombeau de Couperin (four oboe apprentices feature) – *2*422-2100-hp-str (88642)




Chamber Repertoire:

Additional chamber repertoire will be added as the season approaches.

Funk: The Old Masters, Op. 121 [triple str quartet]

Dvořák: Serenade for Winds in d minor, Op. 44 24″ [2ob/2cl/2bsn/contrabsn/3hrn/1vc/1db]

Paterson: The Thin Ice of Your Fragile Mind 8 [fl/afl/p,cl/bcl,vln,vc,pc,pno]

Paterson: Embracing the Wind 10 [fl/afl,va,hp]

Tommasini: Taking Sides 13 [solo trb/2ob/2cl/2/bsn/2hrn/1perc/pno/bass]

Foote: Nocturne and Scherzo [fl/str quartet]


Note to Festival Musicians:

Some ensembles may discover that they have more allotted rehearsal time than is needed. If you need to cancel or modify any rehearsal, you must notify ensembles coordinator Caen Thomason-Redus (at the musicians’ residence) at least 24 hours in advance. This applies to any and all additions, cancellations and changes of venue or time. Since all rehearsals are open to the public (with the exception of ASMSA, for security reasons), this policy exists so that changes can be posted at the musicians’ residence and on the Festival web site. Please make sure this policy is followed for every change that occurs. Thank you.

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